| 摘要 |
The paper deals with the author’s translation of Chen San Wu Niang, a traditional Taiwanese opera script compiled by Liao Chiung-chih. Beginning with a synopsis of the play and an analysis of its language, the author goes on to discuss his translation strategy and its implications for the actual work of translation: the decision to render operatic arias in rhyme and meter; the use of dialogue as a means of characterization; possibilities for translating Taiwanese puns, proverbs and colloquialisms; and improvisation as a means of adding color and interest to the translated text. Lastly, there is a call for translation of other classic scripts in celebration of what is perhaps Taiwan’s premier contribution to the arts, the Taiwanese opera. |
