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Vol.19
Wang, Chun-yen
i-ii
Editor’s Remarks
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Vol.19
Tseng, Hsiu-ping
1-22
The Culture of Taiwanese Opera and Gender Politics in “Drama Dissembled” and “The Last Evening Show”
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Vol.19
Huang, Yu-chieh
23-51
The Hakka Writers and Their Writings on Taiwanese Indigenous Peoples in Taiwan Literature
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Vol.19
Lee, Wan-hsin
53-89
What Does Guojijiegui Mean? – Language Ideology, Intertextuality and Indexicality in Online Metapragmatic Discourse
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Vol.18
Tseng, Hsiu-ping
i-iii
Editor’s Remarks
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Vol.19
Pan, Yi-hsien; Liu, Cheng-yuan
91-127
Visual Representation of Taiwanese and an Analysis of Language Use: A Case Study of Movie Trailers in 2015
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Vol.18
Lin, Fang-mei
1-19
The Concealment of Gender Relation by Ethnic Relation: West Xia Hotel, Anxiety of Genocide, and Misogyny
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Vol.19
Chen, Ching-feng
129-141
【Book Review】A Review of Atsuko Kato’s General Mobilization and Cinema
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Vol.18
Chen, Pei-jean
21-42
Anti-Communism and Sexual Politics: The Social Others in 1950-1960 Taiwan and South Korea
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Vol.18
Liu, Ariel Ling-chun
43-64
From East-Asian Shonen-ai to Taiwanese Tongzhi: Wu Ji-wen’s The Reader of Shonen-ai of the Fin de Siècle and Sunaga Asahiko
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